Miriam Rudolph
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disPOSSESSION

disPOSSESSION is a body of work that explores the accumulation of wealth of few and the displacement of many with a focus on the expansion of soy and beef production, ensuing environmental, social, and economic consequences, as well as connected indigenous land rights and peasant food sovereignty issues. In my artworks, I explore the disappearance of the dry forests of the Paraguayan Chaco due to deforestation, the idea of enclosure as a symbol of privatization and capitalist systems, the struggle to maintain diversity through seed saving traditions in the face of expanding monocultures, and the displacement of local populations due to land grabs. While my research and imagery pertain to a specific region in South America, the issues I address are global issues and also lend themselves to comparison with Canada's – and other countries' - colonial heritage and agricultural practices. For more details, view my full supporting thesis document disPOSSESSION.

The Soy Field 2017

The Soy Field, The Garden, and Broken Seed Jar The Garden The Soy Field The Soy Field Wall 2 The Soy Field Detail The Soy Field Detail The Soy Field Detail Broken Seed Jar

Seeds of Hope 2017

Seeds of Hope Seeds of Hope Detail Seeds of Hope - Seed Jars

Colonization by Cattle 2016

Colonization by Cattle Detail Colonization by Cattle Colonization by Cattle Colonization by Cattle Detail

Dispossession 2016

Advance Dispossession Migration Displacement Installation View at FAB Gallery

Enclosure 2015

Enclosure I Enclosure II Enclosure III Enclosure IV Enclosure V

Other Works 2015

Transposition I Transposition II Transposition III Transposition IV Chaco Forest I Chaco Forest II Chaco Forest III Chaco - Soy Field

Copyright © 2008 - 2017 Miriam Rudolph